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The Tattoo Baby Doll Project is a collaboration between Sherri Wood and female tattoo artists from across the country that combines embroidery and tattoo as a vehicle to explore the images and roles that define and empower women today.

Artist's Statement

I find cloth bodied baby dolls at thrift shops and send them to tattoo artists who then draw original tattoos directly on the dolls. They send the dolls back to me and I hand embroider the images on the cloth bodies. Twelve of sixteen dolls have been completed to date. The dolls, like their artists, are of different races, religious and sexual orientations, and cultural backgrounds. Each collaborating artist is asked to consider her response to tattooing the doll along with my feedback and response to embroidering the doll. From there she is encouraged to name and then write a short statement or story about her doll.

I have been working on the project since 1998. The idea originated while I was in residence at the Headlands Center for the Arts. While studying the history of embroidery, I was simultaneously fascinated by all of the incredible tattoos I was seeing in San Francisco. Like embroidery, tattoo seemed to carry on a similar tradition of deeply symbolic images that worked to form community and served to define and empower those within the community in various ways. I chose to recycle and transform used and discarded dolls as a direct vehicle for merging the two art forms.

The Tattoo Baby Doll Project serves to break down barriers and prejudices about women’s work and roles, tattoo subculture, craft and art. The project strikes a subtle balance between these varied traditions and the communities they represent, thus questioning the lines that define, separate and empower each tradition. It draws together two distinct and distant marginal groups. Yet the unusual juxtaposition between embroidery and tattoo makes sense because it exposes an underlying metaphor intrinsic to both marginal groups. It is through the recognition of shared metaphors that cultural hierarchies and personal prejudices begin to break down.

Intrinsic to the project is that it be shown in a wide range of venues including tattoo parlors and conventions, women’s venues such as book stores, colleges and feminist gatherings, alternative art and non-profit galleries, contemporary art galleries and museums, folk art & craft museums, doll and embroidery shows, university and community college galleries. If you would like to see the Tattoo Baby Doll Project visit your community, please forward interested venue or curatorial contacts to me and I will invite them to investigate the project further.

Note: Some of the dolls in this project are also exhibited as part of the Dainty Show.

Acknowledgements

This section of the Dainty Time web site was made possible with funding from the Museum of Craft and Folk Art in San Francisco, Callifornia. Please read the museum's statement regarding the exhibit, Contemporary Needlework: Tattoo!, which was written by the Curator, Carolyn Kastner.

Exhibition History

April 2000
LUMP Gallery
Raleigh, North Carolina
  view photo
  read review

October 2000
Modern Electric Art and Graphics
Jersey City, New Jersey
  view photo

March 1-29, 2001
Bakersfield College Gallery
Bakersfield, California
  view photo

June 6 - July 29, 2001
Museum of Craft and Folk Art
San Francisco, California
  statement by the Carolyn Kastner, Curator

March 2005
Almost Human: Puppets, Dolls and Robots in Contemporary Art
Hunterdon Museum of Art
Clinton, NJ

June 2003
Baby Girl Put It On Her
Space1026,
Philadelphia, PA

July 2002
Pop Life
31Grand gallery,
Brooklyn, NY

 

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